Artist:
Iceage
Genre:
Alternative/Indie Rock
Pop/Rock
Total Time:
41:12
Record Label:
Mexican Summer
Purchase Album:
CD, Amazon Music, Vinyl,
Apple Music, Spotify
Release Date
May 29, 2026
Find out more about this album release after the jump.
Iceage
Genre:
Alternative/Indie Rock
Pop/Rock
Total Time:
41:12
Record Label:
Mexican Summer
Purchase Album:
CD, Amazon Music, Vinyl,
Apple Music, Spotify
Release Date
May 29, 2026
Find out more about this album release after the jump.
Purchasing Links
Product Description: “It’s about catching something in the air,” says Elias Bender Rønnenfelt. On their sixth album, the Danish band think fast.
Like their punk forebears, Iceage are nothing if not efficient. Why let a song stretch for four minutes when you only need three? And furthermore, why take weeks to record an album when you can wrap up production in one? “The first record was done in three days, the second in five, the third in seven,” vocalist Elias Bender Rønnenfelt tells Apple Music. “And then we expanded to, like, bloody 10 and 14 days with the next couple.”
But for For Love of Grace & the Hereafter, their sixth album, the Copenhagen rock outfit reined themselves back in. They ventured north to Silent Studios, located just miles from the Swedish-Norwegian border in the middle of the woods, where they had made 2014’s Plowing Into the Field of Love, and unleashed on their instruments.
“It's a means of creating urgency and not dwelling on opinion or an underlying stress that things could fail,” he says. We work when decisions have to be a spur-of-the moment type of thing. It’s about catching something in the air. It’s like you’re conceiving these songs, and there’s kind of one chance.”
For Love of Grace & the Hereafter throbs with this immediacy, but nothing about the songs careens too far into chaos. The see-sawing strings on “Salve for Every Sore” are unlikely but gorgeous bedfellows for the rapid-fire drumming and dizzying guitar work; the cascading chords of “Star” hit the ear like a meteor shower in G-major; the xylophone that leads us into “Ember” is shoved aside by the maddening, discordant gallop that shifts into a euphoric chorus.
The pace of the album is just as full-throttle as their work ethic—only one song clocks in at over four minutes, and merely two could be described as “slow.” The lyrics also reflect this unfettered, unfiltered approach, in that they never dull the blade of Rønnenfelt’s nihilism (“The Weak”; “Lifetime”), nor his penchant for bleak portraits (“mother-of-pearl”) and gravitation towards gore (blood, marrow, bones, bruises, mutilation, and destruction of the human body make appearances throughout).
For Rønnenfelt, the songs can get “aggressive”—he cites “Ember” as an example—but there’s a connection there under the brutal imagery and blitzing instruments. “It’s not really me singing to somebody,” he explains. “It’s kind of like talking to whoever lives it, being like, ‘Yeah, this is gonna be tough, but I love you.’”
Like their punk forebears, Iceage are nothing if not efficient. Why let a song stretch for four minutes when you only need three? And furthermore, why take weeks to record an album when you can wrap up production in one? “The first record was done in three days, the second in five, the third in seven,” vocalist Elias Bender Rønnenfelt tells Apple Music. “And then we expanded to, like, bloody 10 and 14 days with the next couple.”
But for For Love of Grace & the Hereafter, their sixth album, the Copenhagen rock outfit reined themselves back in. They ventured north to Silent Studios, located just miles from the Swedish-Norwegian border in the middle of the woods, where they had made 2014’s Plowing Into the Field of Love, and unleashed on their instruments.
“It's a means of creating urgency and not dwelling on opinion or an underlying stress that things could fail,” he says. We work when decisions have to be a spur-of-the moment type of thing. It’s about catching something in the air. It’s like you’re conceiving these songs, and there’s kind of one chance.”
For Love of Grace & the Hereafter throbs with this immediacy, but nothing about the songs careens too far into chaos. The see-sawing strings on “Salve for Every Sore” are unlikely but gorgeous bedfellows for the rapid-fire drumming and dizzying guitar work; the cascading chords of “Star” hit the ear like a meteor shower in G-major; the xylophone that leads us into “Ember” is shoved aside by the maddening, discordant gallop that shifts into a euphoric chorus.
The pace of the album is just as full-throttle as their work ethic—only one song clocks in at over four minutes, and merely two could be described as “slow.” The lyrics also reflect this unfettered, unfiltered approach, in that they never dull the blade of Rønnenfelt’s nihilism (“The Weak”; “Lifetime”), nor his penchant for bleak portraits (“mother-of-pearl”) and gravitation towards gore (blood, marrow, bones, bruises, mutilation, and destruction of the human body make appearances throughout).
For Rønnenfelt, the songs can get “aggressive”—he cites “Ember” as an example—but there’s a connection there under the brutal imagery and blitzing instruments. “It’s not really me singing to somebody,” he explains. “It’s kind of like talking to whoever lives it, being like, ‘Yeah, this is gonna be tough, but I love you.’”
TRACK LIST:
1 .
Ember
(03:26)
2 . Match Head Girl (03:31)
3 . The Weak (03:16)
4 . No Fear (03:39)
5 . Salve for Every Sore (03:14)
6 . mother-of-pearl (03:44)
7 . Tender Blades (04:03)
8 . 1835 . (03:04)
9 . Star (03:25)
10 . Lifetime (03:43)
11 . Holy Water (02:51)
12 .True Blue (03:25)
2 . Match Head Girl (03:31)
3 . The Weak (03:16)
4 . No Fear (03:39)
5 . Salve for Every Sore (03:14)
6 . mother-of-pearl (03:44)
7 . Tender Blades (04:03)
8 . 1835 . (03:04)
9 . Star (03:25)
10 . Lifetime (03:43)
11 . Holy Water (02:51)
12 .True Blue (03:25)
OTHER ALBUM RELEASES:
- New Music Albums: OF EARTH & WIRES (Dua Saleh)
- New Music Albums: HOPE!! (Angélique Kidjo)
- New Music Albums: PHANTASY - VAUGHAN WILLIAMS, BOYLE, HOWELLS ETC. (Piatti Quartet)
- New Music Albums: HAPPY TODAY (Jeff Parker & ETA IVtet)
- New Music Albums: THE SECRET TO GOOD LIVING (Hiding Places)
- New Music Albums: BARBARA STROZZI. VIRTUOSISSIMA SIRENA (Laura Catrani, Accademia dell'Annunciata & Riccardo Doni)
- New Music Albums: GREEN WORLD IMAGE (Telehealth)
- New Music Albums: GRACEFUL (Touch Girl Apple Blossom)
- New Music Albums: GEORGES BIZET - THE PIANO WORKS (Roberto Prosseda)
- New Music Albums: BLUE MORPHO (Ed O'Brien)
- New Music Albums: FINNISH WORKS FOR VIOLIN & ORCHESTRA (Linda Hedlund, La Tempesta Orchestra & József Hárs)
- New Music Albums: HK GRUBER - PIANO CONCERTO; SHORT STORIES FROM THE VIENNA WOODS; CASTLES IN THE AIR (Frank Dupree, Radio-Symphonieorchester Wien & HK Gruber)
- New Music Albums: CO.WAR.DICE. (Marmozets)
- New Music Albums: AMERICAN TAPESTRY (Calidore String Quartet)
- New Music Albums: EVERYONE FOR TEN MINUTES (Bleachers)
- New Music Albums: THE COLOR OF RAIN (aja monet)
- New Music Albums: LOVE SYMPOSIUM (Esther Yoo, Royal Philharmonic Orchestra & Long Yu)
- New Music Albums: GRAVITY FREEZE (Little Barrie)
- New Music Albums: FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH (Future Islands)
- New Music Albums: 388 (The Coral)
- New Music Albums: ROBERT SCHUMANN - FANTASIE, OP. 17; CARNIVAL SCENES FROM VIENNA; HUMORESKE (Nikolai Lugansky)
- New Music Albums: THE ANTHOLOGY OF UNAMERICAN FOLK MUSIC (Marisa Anderson)
- New Music Albums: HOUSE OF MIRRORS (All Them Witches)
- New Music Albums: CAROUSEL (villagerrr)
- New Music Albums: INVITATION - MOZART, MENDELSSOHN & SCHUMANN (Irish Chamber Orchestra & Jörg Widmann)
- New Music Albums: THE BOYS OF DUNGEON LANE (Paul McCartney)
- New Music Albums: BEAUTY LAND (Greg Mendez)
- New Music Albums: FRANCISCO GARRO - MASSES - O QUAM PULCHRA ES & CANTATE DOMINO (Cupertinos & Luís Toscano)
- New Music Albums: PHILADELPHIA'S BEEN GOOD TO ME (Kurt Vile)
- New Music Albums: INFERNO (Boards of Canada)



No comments:
Post a Comment
Please keep the comments as civilised as possible, and refrain from spamming. All comments will be moderated. Thank you !